Showing posts with label Frances Keevil Gallery. Show all posts
Showing posts with label Frances Keevil Gallery. Show all posts

Thursday, February 7, 2013

Storm warning, Goat Island

I haven't been back to my studio at Moore's Wharf for over a year now.
Last year was a bit of a nightmare, as my mum became very ill and
was in and out of hospital throughout most of 2012.
I was only able to go out painting occasionally, and when I was able to, I painted at Rozelle, Eveleigh or Pyrmont, rather than at Barangaroo.
I posted some of these on my Industrial Revelation blog.
It's difficult enough to keep posting on one blog, almost impossible to cope with two.
I finally returned last Friday, and started a large panorama of Goat Island from the knuckle of the wharf.
oil painting of Goat Island from Moore's Wharf, Millers Point by artist Jane Bennett
Work in progress -
This was how the painting looked at 10.30am
'Goat Island from Moore's Wharf' 2013 
oil on canvas 45 x 92cm

I probably hadn't picked the best day to do so.
The sky looked like a purple bruise.
But I tried to do as much painting as I could before the inevitable storm.
oil painting of Goat Island from Moore's Wharf, Millers Point by artist Jane Bennett
Work in progress -
This was how the painting looked at 11.58am
'Goat Island from Moore's Wharf' 2013 
oil on canvas 45 x 92cm

The yellow buoys and boom contrasted well with the sullen sky and choppy slate grey sea.
The boom is there to prevent pollution by debris from the excavation of sandstone blocks for the Barangaroo Headland Park next door to Moore's Wharf.
oil painting of Goat Island from Moore's Wharf, Millers Point by artist Jane Bennett
Work in progress -
This was how the painting looked at 11.58am
'Goat Island from Moore's Wharf' 2013 
oil on canvas 45 x 92cm

Fortunately the blokes soon moved their car so I could see the little hut at the far left hand edge of Goat Island. I didn't want to move from my sheltered nook behind the pallets as there was obviously very little time left before the storm.
Just after 3pm a bolt of lightning struck in the distance.
The thunder was so loud that it sounded like a cannon had been fired.
By the time I had packed up all my paints and brushes I was soaked.
oil painting of Goat Island from Moore's Wharf, Millers Point by artist Jane Bennett
'Goat Island from Moore's Wharf' 2013 
oil on canvas 45 x 92cm

My next solo exhibition "From the Hungry Mile to Barangaroo" will be held from 1st - 24th March 2013 at the Frances Keevil Gallery, Bay Village, 28-34 Cross Street Double Bay, NSW 2028, as their signature event for Art Month.

Friday, August 26, 2011

View from the ivory tower


Millers Point from top of Harbour Tower
ink acrylic gouache on paper 120 x 131cm
HIGHLY COMMENDED : 2011 Royal Easter Show
Exhibited and sold "May close without warning..." Frances Keevil Gallery
Enquiries about this and similar paintings

A moody charcoal and ink drawing of a bird's eye view of Miller's Point in the early morning from the Harbour Control Tower.
This panorama is a study for an even larger oil painting on canvas, which could be my farewell to the Tower.
Every time I go up there may be my last, so I treasure every moment.
If I arrive early enough at Moore's Wharf, I've been allowed to tag along when people from Sydney Ports Corporation have to pack up and remove various bits of flotsam and jetsam from the Tower.
On my last visit, the first aid and cardiac equipment was removed, so that gives everyone extra incentive to watch their cholesterol and not to hoe into the chocolate cornettos kept temptingly in the fridge at Moore's Wharf.
Now the entrance is from the bottom level via the Barangaroo gatehouse on Hickson Road, as the entrance from the Merriman Street level has been shut and locked. Merriman Street has a charming cluster of heritage terraces perched on top of the sandstone escarpment, and is bordered by the now empty Palisade Hotel at one end and Clyne Reserve at the other.
At least 2 people have to be present on a Harbour Tower visit, just in case the lift packs up, although exactly what the second person could do if anything happened except sympathize is anyone's guess. It's a frightening thought, as mobile phone reception is not too good in there at the best of times.
The lifts always seemed to be out of order whenever I had an especially large canvas. 4 separate trips up the interminable flights of stairs to the amenities floor (canvases, table and chair, easel, trolley luggage with my painting medium and brushes and lunch) then 2 extra flights to the top floor to sign the register book, then back down to the amenities block to get some painting done. And then at the end of the day, the journey in reverse - but with an extra trip, as a large wet painting has to be kept away from anything else.
The tower sways in the wind, sometimes almost imperceptibly, and sometimes with a rolling motion that can induce seasickness. It can be distracting when trying to paint fine details.
The perspective is made more complex by the landbridges over the twisting streets winding their way from the angled rows of Walsh Bay Wharves up the hills. The entire suburb of Millers Point lies at my feet.
There was such an overwhelming mass of tiny details that I needed to tackle this subject in tone and line before risking getting bogged down in an oil painting. I wanted to understand the rhythm of the landscape. Previously I had painted many sections of this scene, but this was an ambitious attempt to unify the views from 4 windows in 3 separate rooms into a single cohesive work.
Unfortunately this drawing's frame was badly scratched at the Royal Easter Show, so I'm getting my gallery to re-frame it. It's expensive to frame large works on paper and I try to avoid it when possible, but I think that this will be one of the key works in my solo exhibition. The title of the exhibition is "May close without Warning" and will be held from the 13th - 30th October 2011 at the Frances Keevil Gallery, Bay Village, 28- 34 Cross Street, Double Bay 2028.


Related posts


Bacon and eggs in Miller's Point Part 2

Tuesday, December 7, 2010

My Paintings in the Xmas exhibition at the Frances Keevil Gallery

My Barangaroo paintings for sale -
Open until Friday 24th December 2010
Stormclouds over the wharf 2007 oil painting on canvas 61 x 91cm.
The last of the cranes of East Darling Harbour. All three were formerly painted red. During the last operational month of Darling Harbour in September 2007, they were painted yellow and placed on the barge, the 'Seatow', escorted by the tug 'Koronui', and floated down to Port Kembla.
'The empty wharf' 2007 oil painting on canvas 61x 91cm
This painting of the wharf after the stevedores left in October 2007 has an eerie classical calm - a cross between the haunted plazas of de Chirico and Jeffrey Smart's  primary coloured geometric constructions. The Harbour Control Tower joins the procession of power poles as though they were a row of Doric columns in an ancient Greek or Roman temple.

Frances Keevil Gallery:
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Thursday, September 23, 2010

Art exhibition : Recent Paintings by Jane Bennett

From Barangaroo to Double Bay :
My paintings for sale -

on Display at the Frances Keevil Gallery until 8th October 2010



"I saw the number '8' in red... "2010  
oil painting on canvas  51 x 76cm
$4,200  
See my post : I saw the number '8' in red...



"Out of time " oil painting on canvas 31 x 31 cm
$990


See my post : Barangaroo terminal -'Out of time' 

 
"Keep Area clear" 
(Inside the loading dock of the former Cruise ship Terminal at Darling Harbour 8)  
2010  oil painting on canvas 51 x 76cm

$4,200
Painted from a similar viewpoint as "May close without warning..."

"MAY CLOSE WITHOUT WARNING (Inside the loading dock of the former Cruise ship Terminal at Darling Harbour 8)"
oil painting on canvas 51 x 76cm
$4,200 


"Night, 'Pacific Jewel'  from the bridge of the Maersk Gateshead" 2010 
oil painting on canvas 61 x 91 cm
$6,000



"The Pacific Jewel arrives for the first time 
at the new temporary facilities at Barangaroo" 2010 
oil painting on canvas 
36 x 46 cm
$1,800








"The Pacific Jewel arrives for the first time 
at the new temporary facilities at Barangaroo"
Diptych Left hand canvas 2010 
oil painting on canvas 25 x 51 cm each 
Total image size 25 x 102cm

Each canvas : $1,400  Diptych : $2,800 

"The Pacific Jewel arrives for the first time 
at the new temporary facilities at Barangaroo"
Diptych: Right hand canvas 2010 oil painting on canvas 25 x 51 cm each 
Total image size 25 x 102cm

Each canvas : $1,400  Diptych : $2,800
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