Showing posts with label 30 The Bond. Show all posts
Showing posts with label 30 The Bond. Show all posts

Tuesday, November 30, 2010

Recently Sold Paintings from the Sydney Open : The Hungry Mile and Barangaroo

Not all of these paintings were displayed at the '30, The Bond' during the Sydney Open, but were sold to people who saw my exhibitions and later made enquiries to my gallery. I was kept quite busy the next week - paintings were flying around like frisbees!
A large canvas exhibited at 'Workplace6' during the Sydney Open also has just been sold. Not bad for a one - day show with no publicity or invitations!
See my other blog: 'Industrial Revelation'
Recently Sold Paintings : Pyrmont paintings at Workplace6 

'L3 Crane and shed 4' oil on canvas 31 x 23cm SOLD



As well as the usual plein air painting problems of avoiding the wind and sun, I had to try not to be mown down by forklifts. After a while I had worked out safe observation points all over the wharf, depending on the type of ship/cargo, time of day and weather conditions. This was painted between Shed 4 and 5, looking north towards the west end of Goat Island. There was no ship in and no cargo inside Shed 4, or I would never have been allowed to paint there. Usually this area was full of cars, boats and containers; and I would have had to paint against the wall of the shed or inside the yellow workcage. One of the workcages is against the left hand side of the shed.

'The 'Coral Chief' from shed3' 2006 oil on canvas 31 x 25cm SOLD

I painted this from beside the west roll-a door of shed 3, , looking directly south towards the P&O offices that were in shed 4, in the centre of this painting. The 2 cranes are (from left to right) “L1” and “L3”. The Chief ships usually only came in on the weekend, and normally docked at shed 3. This particular vantage point was excellent on a hot summer morning with a brisk nor-easter, provided that there was no ship berthed at No. 3 and that there were no steel coils or timber stored inside the shed at the time. The shed would shelter me from the worst of the wind and the sun wouldn’t be in my eyes.
The Tug 'Karoo' from Darling Harbour 2006 oil painting on canvas 28 x 36 cm
SOLD

The ‘Karoo’is one of the smaller tugs on Sydney Harbour, (but only in comparison with tugs like the majestic ‘Woona'). Up close, of course, the ‘Karoo’ isn’t really small! It is one of the ‘Wallace’ stable (a division of ‘Adsteam Marine’ based in Port Kembla) All of the names of the Wallace tugs start with the letter ‘K’, and are derived  from Aboriginal names for localities in the Illawarra area. I believe that 'Karoo' refers to a lake around the Illawarra region.
The ‘Karoo’ was only to be seen comparatively rarely and for brief moments from East Darling Harbour, usually while shepherding one of the blue ‘NYK’ line Ro-ros to and from the wharves at Glebe Island, as I have depicted it here in this canvas.

 The 'Koranui  ' 2007 oil on canvas 25x31cm SOLD
This is the tug which towed the barges with the last of the cranes. down to Port Kembla.
The ‘Karoo’ and the ‘Woona’ were the two tugs used in the last major port operation of Patrick (OK- technically speaking it had by now become ‘Asciano’ of Toll Holdings) ,which was towing the ‘Seatow’ barge with the last of the wharf cranes on it, escorted by the tug ‘Koranui’ to Port Kembla, when East Darling Harbour Wharves closed.

'The 'Woona'  2007 oil painting on canvas 20 x 25cm



SOLD
The 'Woona' with the Talabot 2009 oil on canvas 20x25cm

SOLD 

My tug paintings were immensely popular with galleries and collectors, and I'm often asked for a ‘set’ of the ‘Wilga’, ‘Wonga’, ‘Woona’, or for 3 or 4 different angles of the same tug.
'The tug 'Wonga' with 'Victorian Reliance'' 20x25cm SOLD
  
The most familiar tug, during my period as ‘Artist in Residence’ on the wharves of East Darling Harbour, was the ‘Woona’, which seemed to be used for almost every one of the gigantic bright red Wallenius Wilhelmsen Ro-ros. The other tugs were harder to spot and harder to paint as I saw them less often and for shorter periods of time. The next most commonly spotted tugs were the ‘Wilga’ and ‘Wonga’, followed by the ‘Wolli’ and the ‘Watagan’. 
Enquiries about these and other paintings:
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Saturday, November 27, 2010

My exhibition: "From the Hungry Mile to Barangaroo"


My exhibition: "From the Hungry Mile to Barangaroo"
Foyer of LendLease 30,'The Bond',
30 Hickson Road, Millers Point
Paintings of Barangaroo at Sydney Open - 30, The Bond

From left to right:
easel on left: 
top : 'Relics from the Dead House 2' 2007 oil on canvas 91 x 61 cm
bottom left: "Hungry Dinosaurs" 2010 oil on canvas 36 x 46 cm 
bottom right: "Grabber, Muncher,Ripper" 2010 oil on canvas 31 x 31cm

easel in centre: 
top: "I saw the number '8' in red"   2010 oil on canvas 61 x 183cm
centre: :"Red Square (Arrivals Hall) 2010 oil on canvas 61 x 183cm
bottom left: "The drill rig" 2010 oil on canvas 36 x 36cm
bottom right: "Red Square" 2010 oil on canvas 36 x 36cm

easel on right:

top left:"8 (ate)"  2010 oil on canvas 41 x 31cm
top right: "Dig it! (The archaeologists)"   2010 oil on canvas 31 x 15cm
centre: "A work in progress" 2010 oil on canvas 91 x 122cm (Unfinished)
bottom left: "The last gantry"  2010 oil on canvas 41 x 31cm
bottom right: "Pump it! (The 'Watertank')" 2010 oil on canvas 31 x 41cm


easel on left:
above: "The 'Southern Cross' (with Robbie and forklift)" 2010 oil on canvas 31 x 103 cm
centre : 'The working port' 2007 oil on canvas 100 x 122 cm

easel in centre: 
top left: "The tug "Karoo""   2008 oil on canvas 20 x 25cm
top right: :"The tug "Woona" 2008 oil on canvas 20 x 25cm
below: "The 'Tamerlane' after rain" 2005 oil on canvas 75 x 100cm

easel on right:
top :"2 cranes"  2006 oil on canvas 41 x 51cm
below: "Boat Lift"   2007 oil on canvas 100 x 122cm


 A small selection of my paintings of the East Darling Harbour Wharves and their transformation into the Barangaroo precinct were exhibited for one day only in the foyer of the LendLease Headquarters 30, The Bond directly opposite the Barangaroo site itself. Here they are displayed in front of the spectacular escarpment wall of yellowblock sandstone, catching the dying embers of the afternoon sun. 
On the same day a selection of my Pyrmont paintings were also exhibited in the foyer of 'Workplace6', headquarters of Google, and 2 of Paul Signorelli's new restaurants, 'Biaggio' and 'Gastronomia'.
I borrowed the "A" frame easels from John Sweaney of ASMA (The Australian Society of Marine Artists) and put my entire black ankle sock collection on their feet to prevent the floor being scratched!


easel on left:

top : 'Relics from the Dead House 2' 2007 oil on canvas 91 x 61 cm
bottom left: "Hungry Dinosaurs" 2010 oil on canvas 36 x 46 cm 
bottom right: "Grabber, Muncher,Ripper" 2010 oil on canvas 31 x 31cm

 easel in centre:
top: "I saw the number '8' in red"   2010 oil on canvas 61 x 183cm
centre: :"Red Square (Arrivals Hall) 2010 oil on canvas 61 x 183cm
bottom left: "The drill rig" 2010 oil on canvas 36 x 36cm
bottom right: "Red Square" 2010 oil on canvas 36 x 36cm


easel on right:
top left:"8 (ate)"  2010 oil on canvas 41 x 31cm
top right: "Dig it! (The archaeologists)"   2010 oil on canvas 31 x 15cm
centre: "A work in progress" 2010 oil on canvas 91 x 122cm (Unfinished)
bottom left: "The last gantry"  2010 oil on canvas 41 x 31cm
bottom right: "Pump it! (The 'Watertank')" 2010 oil on canvas 31 x 41cm


People could take a short break from all the strenuous exploration of the city's architectural highlights and even have a coffee and a bite to eat in the welcoming leather sofas of the Bond's foyer. Some of them were even interested in the paintings!

Before and After


easel on left:
top left:"8 (ate)"  2010 oil on canvas 41 x 31cm
top right: "Dig it! (The archaeologists)"   2010 oil on canvas 31 x 15cm
centre: "A work in progress" 2010 oil on canvas 91 x 122cm (Unfinished)
bottom left: "The last gantry"  2010 oil on canvas 41 x 31cm
bottom right: "Pump it! (The 'Watertank')" 2010 oil on canvas 31 x 41cm

easel on right:
top:"The empty wharf"  2007 oil on canvas 31 x 61cm

centre: "The empty wharf"  2007 oil on canvas 100 x 122cm (Unfinished)
bottom: "Power Base"  2010 oil on canvas 36 x 46cm

I've contrasted paintings of the still intact wharf buildings, painted just after the stevedores left with images of their demolition




easel on left:

above: "The 'Southern Cross' (with Robbie and forklift)" 2010 oil on canvas 31 x 103 cm
centre : 'The working port' 2007 oil on canvas 100 x 122 cm

easel on right:
top left: "The tug "Karoo""   2008 oil on canvas 20 x 25cm
top right: :"The tug "Woona" 2008 oil on canvas 20 x 25cm
below: "The 'Tamerlane' after rain" 2005 oil on canvas 75 x 100cm


I enjoyed seeing how the glowing brilliance of the red Wallenius Wilhelmsen ships stood out against the shadows cast on the sandstone

            
above: "The 'Southern Cross' (with Robbie and forklift)" 2010 oil on canvas 31 x 103 cm
centre : 'The working port' 2007 oil on canvas 100 x 122 cm
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Tuesday, October 26, 2010

Something old-Something New- Some paintings at Barangaroo

An Architectural Adventure
The 'Sydney Open' -presented by the Historic Houses Trust

My paintings will be on exhibition at several venues during the Sydney Open, a biennial event presented by Historic Houses Trust that showcases Sydney’s architectural icons.
On display for one day only on Sunday 7th November 2010

The Name is 'Bond' - 'Jane at the Bond' 

I will be exhibiting my paintings of both the 'Hungry Mile' and my recent paintings of demolition works at Barangaroo in spacious foyer of the LendLease headquarters at the '30 The Bond' 30 Hickson Road.

 I was "Artist in Residence" at the "Hungry Mile", East Darling Harbour Wharves during its last years as a working port, and have continued painting on this site during its exciting transformation into the new precinct of Barangaroo.
 I am delighted to have the opportunity to display some of these paintings 'in situ'.They are especially relevant now, with the entire area on the cusp of one of the most important architectural transformations in the entire history of Sydney.
 I have been the only person to actually witness the transition process on the spot. The people on the wharf have moved to the periphery of Sydney : Port Botany and Port Kembla; and the current construction workers have not experienced Barangaroo as a working port. This area had been a wharf virtually since settlement and the general public was never permitted access. I was given unprecedented access to all aspects of the port operations and painted on the wharves, from the top of Harbour Control Tower and even from the bridge of the ships. Later I painted the demolition of the wharves and the preparations for World Youth Day 2008 and now I am starting a new series of paintings about the construction of Barangaroo.


 Barangaroo from the Harbour Control Tower- 'The Hungry Mile' from the Harbour Control Tower 1 2007 gouache painting on paper 44 x 34cm
In this gouache painting you can see a rare aerial view of the '30 The Bond' building, as I painted this from the vantage point of the Control Room of the Sydney Harbour Control Tower. It is the sleekly elegant silver building south of the roller-coaster escarpment of High Street, in the historic Miller's Point precinct. On its roof is a curly thatch of greenery which is its roof garden. My paintings will be displayed on easels in the foyer, just in front of an escarpment wall of original sandstone.
I will also be exhibiting my early paintings of Pyrmont at Workplace6 on Darling Island as part of the Sydney Open, on the same day Sunday 7th November. For more information see my post My Exhibition at Sydney Open at my other blog 'Industrial Revelation'